Behind her eyes season 1 series#

I couldn’t imagine doing this part without him. That just allowed us to explore the character in many different ways and to try new things and come up with the craziest things to do, just for fun and to see if we could do it.

He almost knew what I wanted to do before I did. We just had this secondhand, where I felt like he was reading my mind. Erik and I were on the same page, I felt like I didn’t have to explain to him what I wanted to do and I didn’t have to perform it for him. I’ve only had one other relationship like that with a director, and that was when I did The Knick with Soderbergh, where we really just understood each other. He just has elements of bringing in the strange, bizarre, silly element to it. I think he’s going to be a huge director. Thank God we shot it with Erik because I really believe in him. You do it like a movie, by location, so we had to shoot it with one director.

Behind her eyes season 1 series#

HEWSON: The way that they shoot limited series now, you don’t really shoot episodically. How was it to tell this story with the same director throughout? RELATED: 'Behind Her Eyes' Trailer Reveals Trippy, Likely Addictive Psychosexual Netflix Thriller Also, the idea of tricking the characters and tricking the audience, and all of those layers, was glorious. It’s so not what you see is what you get. Erik would say, “We’re going in more of a camp direction with the show and the character.' There were so many possibilities because of the twist, for how I could interpret Adele, and that just gave it more life.

It was just so much fun because there was an element of heightened drama that was theatrical. If I could play Adele until the day that I’m dead, I wouldn’t care. I’ve never had more fun playing a character in my life. HEWSON: I genuinely loved this character so much, mainly because of the twist. How did you feel about the ending, when you learned what it was? What was it like to shoot?